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NEW   ROSE  -  2022.

Installation in wood, steel, cement, Plexiglas, plants, paint.


Ce  plastic device envisaged for MAXI 4, questions our way of inhabiting the world in the future and offers us a prospective prism potentially bringing together all the living. The installation is presented as an ark, an assembly of all animal, plant and human species, a unique place without borders where any space can be transformed into another, where all living things can live the life of the other, understand it. and respect it. The work becomes a tangle of possible lives, which by its porosity no longer delimits an interior or exterior space  and opposes the archetype of the house with walls,_cc781905-5cde-3194- bb3b-136bad5cf58d_ certainly protective but enclosing just as much. The will displayed is to break with the anthropization of the world, the humanization of non-humans and to propose an “Arcadian”  space of reconciliation. On earth, everything is in motion  and is constantly changing as in this structure which offers us both an architectural prototype and a futuristic   vision of city, than a refuge for different animal or plant species

At first glance we do not realize the particular nature of the materials but as we get closer we realize that the modules are made of moldings of waste that are harmful to the environment. Like a palimpsest, the plastic molds of  are frozen for eternity in concrete, underlining its permanence and its toxicity. Both a trace of pollution and the hope of reconstruction, these “bricks”  offer a solution for the virtuous reuse of cumbersome and polluting materials. The tinted glass roof protects and projects a color on these enigmatic architectures, depending on the time of day, creating a particular peaceful or distressing, natural or artificial atmosphere,  unreal or even surreal. The taut steel cables erect  a virtual limit, porous or not depending on the Being who  tries to transgress it. Through this curtain an uncertain appearance of things is offered to the gaze of the walker.  This indecisive filter separates two spaces while connecting them and turns into a guardian, support, or_cc781905-5cde-3194- bb3b-136bad5cf58d_ guide for climbing plants that cling to it. Similar to the Japanese Sudare, this device is both threshold and wall, opening and closing. Plants are not invasive but alive, just as at home as at others, come friendly to meet each other,     repair and soften the vitiated, unbreathable space of the world in the era of the Anthropocene. These organisms by their presence remind us of the essential role they play in the life of all living beings. 

The work is constantly evolving, metamorphoses over the months, it tends towards the essential interconnection of the living, like nature  . It appears as a space where each species can interfere, project itself, take refuge, shelter, meet and consider this territory as a model for the future where it is possible for us to consider an optimistic story, "_cc781905- 5cde-3194-bb3b-136bad5cf58d_ a Beautiful Future”,  based on a new environmental ethic that  to love your planet and protect it by activating all our capacities . We are then allowed beyond the  dream, to love the Earth as part of ourselves or to consider ourselves as a part of the Earth and to act in a concrete way_cc781905-5cde-3194- bb3b-136bad5cf58d_ while shouting loudly “  BO FUTURE”.

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